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Manchester
Manchester is one the world's most iconic cities. Not only was it the first industrial city, it can claim to be the first post-industrial city. This book uses historic maps and unpublished and original plans to chart the dramatic growth and transformation of Manchester as it grew rich on its cotton trade from the late 18th century, experienced periods of boom and bust through the Victorian period, and began its post-industrial transformation in the 20th century. The Peterloo Massacre, the Bridgewater Canal, the railway revolution, Trafford Park industrial estate, the Ship Canal, Belle Vue theme park, Wythenshawe garden city, the 1996 IRA bomb, Coronation Street, iconic football stadiums, and MediaCity are just some of the events and places that have put Manchester on the world's perceptual map and are explored through a wealth of published and unpublished maps and plans in this sumptuously illustrated cartographic history.
Lancashire: Liverpool and the Southwest
This book is based on sections of Nikolaus Pevsner's 'South Lancashire' and 'North Lancashire', both published in 1969"--acknowledgements.
Manchester
The book looks at Manchester’s past, present and future, it describes the main monuments, museums and galleries while also providing full information on where to stay, eat, drink, dance, watch sport or shop. There are several walking itineraries, including new ones, and recommendations for excursions. Biographies of key citizens and episodes in Manchester’s lively history are revealed, again in an extended section. [From publishers website]
The Manchester Man
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Manchester's Northern Quarter
This book raises awareness of the wide range and the varied character of the historic buildings which make up the Northern Quarter's townscape and the forces and trends which contributed to its appearance. It also shows how the area has evolved over the last two and a half centuries, forming the historic backdrop to everyday life in a particularly vibrant and culturally distinctive quarter of the city. The book will have a broad appeal, both to the established urban community and to those with an interest in the city of Manchester and its buildings.
Industrial Archaeology
Eleanor Conlin Casella and James Symonds th The essays in this book are adapted from papers presented at the 24 Annual Conference of the Theoretical Archaeology Group, held at the University of Manchester, in December 2002. The conference session “An Industrial Revolution? Future Directions for Industrial Arch- ology,” was jointly devised by the editors, and sponsored by English Heritage, with the intention of gathering together leading industrial and historical archaeologists from around the world. Speakers were asked to consider aspects of contemporary theory and practice, as well as possible future directions for the study of industrialisation and - dustrial societies. It perhaps ?tti...
The Cambridge Social History of Britain, 1750-1950
Whilst in certain quarters it may be fashionable to suppose that there is no such thing as society historians have had no difficulty in finding their subject. The difficulty, rather, is that the advance has occurred through such an outpouring of research and writing that it is hard for anyone but the specialist to keep up with the literature or grasp the overall picture. In these three volumes, as is the tradition in Cambridge Histories, a team of specialists has assembled the jigsaw of recent monographic research and presented an interpretation of the development of modern British society since 1750, from three complementary perspectives: those of regional communities, of the working and living environment, and of social institutions. Each volume is self-contained, and each contribution, thematically defined, contains its own chronology of the period under review. Taken as a whole they offer an authoritative and comprehensive view of the manner and method of the shaping of society in the two centuries of unprecedented demographic and economic change.
The Postsocialist Contemporary
This book engages with the historical paradigm of 'contemporary art' by examining a programme initiated in Eastern Europe by the Hungarian-American billionaire George Soros in the 1990s. The Soros Centers for Contemporary Art played a leading role in popularising the norms and conventions of 'contemporary art' throughout the region.
